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September is great painting weather in Northern California, and I am hitting the road with my paints!  Next week, I will be a "celebrity" plein air artist and on the awards panel at the Mendocino Open Paint Out. But first,  I am headed to the Knowlton Gallery in Lodi, California for the opening of the group show  "Bouquets: Gardens, Farmer's Markets and Floral Still Lifes."  If you are in Northern California, this gallery is well worth a visit , and it would be terrific to see you there at the reception: Saturday, September 7th from 1 - 4 p.m.  The show will hang until September 28th.  Here is a slideshow preview of the five paintings I will be showing. (Note - if you are reading this post in a feed reader, please click through to the actual blog for the best quality images).

When I look at the sky/ground relationship, the sky appears to be lighter and warmer than anything on the ground. The light planes on a gray day are cool so the shadows notes appear to be warmer when you compare them to the light planes. The scene is backlit so the house is in shadow set against a bright sky. 

Finished Painting: "Turning Basin," 9 x 12 inches, oil on canvas 

On this Monday morning, my students gather to watch my painting demonstration of a scene by the river that runs adjacent to my studio in Petaluma, CA.

Here is the finished painting:  "River View North", 8 x 10 inches, Oil on Canvas 

I left the pilings out because I didn't think they added to the painting. I also redesigned the dead grass in the foreground to create some interest. 

I will be posting more step studies over the coming weeks, so make sure to subscribe to my blog at camilleprzewodek.com!

I was recently in Charleston, SC. Here are a series of paintings I did while I was there. They are currently on display in Galerie On Broad in Charleston.

Here is a plein air sketch that I did on location in Yosemite National Park. I used this sketch to create another painting in the studio. Although my passion is to work from life, it is good discipline to try to create that same energy in the studio because you have more time to spend on design and composition.

This was done in the studio from my plein air sketch. I applied what I learned on location about the movement of the water and the color of the light.  I was not a slave to the sketch but only used it as reference.